The Lobbyists (Tommy Crawford, Eloise Eonnet, Alex Grubbs, Will Turner, Tony Aidan Vo, and Douglas Waterbury-Tieman) formed in 2012, and take their name from the lobby of The Flea Theater, where the group first started playing and writing music together. Drawing on folk, roots, and a host of other influences, the band has been noted for their lush harmonies, “marvelous” songwriting (The New York Times), and “impressive musicianship” (Entertainment Weekly). The New Yorker calls their music “terrific,” and The Village Voice lauds them as “undeniably talented.”

They have played some of New York’s favorite concert venues, including Joe’s Pub, Rockwood Music Hall, 54 Below, Pete’s Candy Store, Ars Nova, Mercury Lounge, and more. Their music has been workshopped and developed with NY Stage & Film, Cape Cod Theater Project, Ars Nova, and Rhinebeck Writers’ Retreat. SeaWife was originally produced Off-Broadway by Naked Angels in partnership with the South Street Seaport, and subsequently premiered regionally at Nantucket’s White Heron Theater. Their debut full-length album, Songs from SeaWife, was released January 9th 2017 and is available widely online.

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NH Master Chorale and chamber orchestra presents the story of the 1998 murder of Matthew Shepard, a gay college student from Laramie Wyoming- all leading to an upbeat message of hope. That “only in the love, love that lifts us up, can free All of Us”  The Oratorio highlights many genres of music including, country, rock and classical.  In the same collaborative spirit as 2018, GWMF is partnering with FCCW for a dinner/concert evening. Details on the dinner portion TBDs

The New Hampshire Master Chorale, led by Dr. Dan Perkins, is a non-profit choir established in the spring of 2003. This premier chamber ensemble is dedicated to excellence in the art of choral music performance. Members of the group are trained singers, auditioned from throughout New England, who have performed as soloists and in choral ensembles throughout the world.

This special performance is made possible by Ashton & Company.

Everyone’s favorite retro rock band, Under the Streetlamp delivers an electrifying evening of classic hits from the American Radio Songbook, bringing their unique blend of tight harmonies and slick dance moves to your favorite old time Rock ‘n’ Roll, Doo-Wop and Motown hits.

The group was founded by leading cast members of the Tony Award-winning sensation JERSEY BOYS. When their run in that show ended, they formed Under the Streetlamp as a musical celebration. The guys have performed in over a dozen shows on Broadway and have performed all over the world in countless other shows including: 42nd STREET, ASSASSINS, JERSEY BOYS, HANDS ON A HARDBODY, THOROUGHLY MODERN MILLIE, FORBIDDEN BROADWAY, DRACULA, RENT, AMERICAN IDIOT, GOOD VIBRATIONS: The Beach Boys Musical, and THE BOOK OF MORMON. Every performance they prove that retro never sounded so now!

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Fueled by the belief that classic jazz feeds the heart and soul, the Hot Sardines are on a mission to make old sounds new again and prove that joyful music can bring people together in a disconnected world.

In the last two years, the Hot Sardines have been featured at the Newport Jazz Festival and the Montreal Jazz Festival, have sold out NYC venues from Joe’s Pub to Bowery Ballroom and more than 150 tour dates from Chicago to London, and have released two albums on Universal Music Classics to critical raves and a No. 1 slot on the iTunes Jazz chart in the U.S. and internationally.

Quality is timeless. Just ask The Hot Sardines.

In the talented hands of the New York-based ensemble, music first made famous decades ago comes alive through their brassy horn arrangements, rollicking piano melodies, and vocals from a chanteuse who transports listeners to a different era with the mere lilt of her voice. On French Fries & Champagne, The Hot Sardines’ new album for Universal Music Classics, the jazz collective broadens its already impressive palette, combining covers and originals as they effortlessly channel New York speakeasies, Parisian cabarets and New Orleans jazz halls.

Born in 1962, guitarist Chris Thomas King became the last major folk blues discovery of the 20th Century when he was discovered in Louisiana in 1979 by a folklorist from the Smithsonian Institute in Washington D. C. He was introduced to the world the following year by venerable folk label Arhoolie Records as an authentic folk blues successor to Huddie Ledbetter, Muddy Waters, Mississippi John Hurt and Manse Lipscomb.

As the darling of blues purists and aficionados, and the last great hope of the waning folk blues revival, which began during the 1960s folk movement, Chris Thomas King shocked the music world in the early ‘90s when he abandoned all pretenses of primitivism and embraced hip hop modernity and digital aesthetics, turning the blues world upside down.

King was chosen by the Coen brothers to play the role of itinerant bluesman Tommy Johnson along side George Clooney in the movie “O Brother, Where Art Thou? (2000).” Larger than life on the silver screen, Chris Thomas King, acoustic guitar in hand, captivated audiences the world over, silencing his critics. His authenticity as a folk blues artist, by any measure, proved to be undeniable. A star of stage and screen was born. New fans the world over packed sold out theaters and art centers to immerse themselves in his illuminating melodious glow. King sold millions of records and won numerous awards, superseding the success of his folk blues predecessors.

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