The Lobbyists (Tommy Crawford, Eloise Eonnet, Alex Grubbs, Will Turner, Tony Aidan Vo, and Douglas Waterbury-Tieman) formed in 2012, and take their name from the lobby of The Flea Theater, where the group first started playing and writing music together. Drawing on folk, roots, and a host of other influences, the band has been noted for their lush harmonies, “marvelous” songwriting (The New York Times), and “impressive musicianship” (Entertainment Weekly). The New Yorker calls their music “terrific,” and The Village Voice lauds them as “undeniably talented.”

They have played some of New York’s favorite concert venues, including Joe’s Pub, Rockwood Music Hall, 54 Below, Pete’s Candy Store, Ars Nova, Mercury Lounge, and more. Their music has been workshopped and developed with NY Stage & Film, Cape Cod Theater Project, Ars Nova, and Rhinebeck Writers’ Retreat. SeaWife was originally produced Off-Broadway by Naked Angels in partnership with the South Street Seaport, and subsequently premiered regionally at Nantucket’s White Heron Theater. Their debut full-length album, Songs from SeaWife, was released January 9th 2017 and is available widely online.

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NH Master Chorale and chamber orchestra presents the story of the 1998 murder of Matthew Shepard, a gay college student from Laramie Wyoming- all leading to an upbeat message of hope. That “only in the love, love that lifts us up, can free All of Us”  The Oratorio highlights many genres of music including, country, rock and classical.  In the same collaborative spirit as 2018, GWMF is partnering with FCCW for a dinner/concert evening. Details on the dinner portion TBDs

The New Hampshire Master Chorale, led by Dr. Dan Perkins, is a non-profit choir established in the spring of 2003. This premier chamber ensemble is dedicated to excellence in the art of choral music performance. Members of the group are trained singers, auditioned from throughout New England, who have performed as soloists and in choral ensembles throughout the world.

This special performance is made possible by Ashton & Company.

UNDER THE STREETLAMP performs an electrifying evening of classic hits from the American radio songbook. Exuding the irresistible rapport of a modern day Rat Pack, the quartet — Eric Gutman, David Larsen, Brandon Wardell and Shonn Wiley — deliver an evening of unforgettable entertainment. You’ll hear Doo-Wop, Motown, old time Rock ‘n’ Roll and all of your favorite songs from The Drifters, The Beach Boys, The Beatles, and a “show-stopping” salute to Frankie Valli and the Four Seasons!

The concert celebration features tight harmonies and slick dance moves that take audiences back to an ear of sharkskin suits, flashy cars and martini shakers. While each performer gets his moment in the spotlight, it is their synergy and charisma as a group that has drawn an extremely devoted nationwide following.

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Steep Canyon Rangers have been expanding the parameters of bluegrass since coming together in 2000. Since then, the genre-defying band has developed a remarkable catalogue of original music – predominantly co-written by Sharp and bassist Charles R. Humphrey III – that links them to the past while at the same time, demonstrates their ambitious intent to bring string-based music into contemporary relevance.

Their newest release, OUT IN THE OPEN is an undeniable milestone on Steep Canyon Rangers’ ongoing creative journey, its spirited, eclectic approach recasting the myriad sounds of string-based American music in their own unique image. As they fast approach their second decade, Steep Canyon Rangers are still moving forward, as ever searching for new horizons and musical vistas.

Rhiannon Giddens, American Folk musician, is the co-founder of the Grammy Award-winning string band Carolina Chocolate Drops, in which she also plays banjo and fiddle. She began gaining recognition as a solo artist when she stole the show at the T Bone Burnett-produced “Another Day, Another Time” concert at New York City’s Town Hall in 2013. The elegant bearing, prodigious voice and fierce spirit that brought the audience to its feet that night is also abundantly evident on Giddens’ critically acclaimed solo debut, the Grammy-nominated album, Tomorrow Is My Turn, which masterfully blends American musical genres like gospel, jazz, blues and country, showcasing her extraordinary emotional range and dazzling vocal prowess.

“Gathering a group of fellow black female artists who had and have a lot to say made it both highly collaborative and deeply personal to me,” Giddens says. “It felt like there were things we had been waiting to say our whole lives in our art, and to be able to say them in the presence of our sisters-in-song was sweet indeed. I see this album as a part of a larger movement to reclaim the black female history of this country.”

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Forming in 2004, Red Molly has inspired countless female trios and has since reinvented themselves as a high-octane five-piece band in 2017. They remain a dominant force on the Americana/Folk scene due in part to their laughter and spontaneity onstage.

Upright bassist Craig Akin and percussionist and electric guitarist Eben Pariser fill out the sound, giving the show a broad range of musical options—from complex and hard-hitting to sparse and delicate.  Red Molly combines the forces of three songwriters with unique character and style, creating a show that is larger than the sum of its parts.

Known for their 3-part harmony, their songs and arrangements lay bare a love of vocal blend. The band weaves together threads of American music—from country & blues to folk & bluegrass. Their innovative instrumentation is suited for roots-rock and heartful ballads alike, and the alchemy of their personalities onstage draws even back row listeners into a sense of intimacy. Red Molly is simply a joy to experience.

Fueled by the belief that classic jazz feeds the heart and soul, the Hot Sardines are on a mission to make old sounds new again and prove that joyful music can bring people together in a disconnected world.

In the last two years, the Hot Sardines have been featured at the Newport Jazz Festival and the Montreal Jazz Festival, have sold out NYC venues from Joe’s Pub to Bowery Ballroom and more than 150 tour dates from Chicago to London, and have released two albums on Universal Music Classics to critical raves and a No. 1 slot on the iTunes Jazz chart in the U.S. and internationally.

Quality is timeless. Just ask The Hot Sardines.

In the talented hands of the New York-based ensemble, music first made famous decades ago comes alive through their brassy horn arrangements, rollicking piano melodies, and vocals from a chanteuse who transports listeners to a different era with the mere lilt of her voice. On French Fries & Champagne, The Hot Sardines’ new album for Universal Music Classics, the jazz collective broadens its already impressive palette, combining covers and originals as they effortlessly channel New York speakeasies, Parisian cabarets and New Orleans jazz halls.

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New England’s Juston McKinney returns with lots of new material!! It’s been a busy year for Juston having just released his new special
“Parentally Challenged” on Amazon Prime. Last year he filmed a Showtime Special with Rob Gronkowski, “Unsportsmanlike Comedy”, and performed at the TD Garden with Denis Leary and Jimmy Fallon as
part of “Comics Come Home”. Juston is consistently selling out theaters, has two Comedy Central Specials, both; a one-hour and half-hour, multiple appearances on the Tonight Show, and on Conan O’Brien, but there’s no place like home!

When NH magazine named him “Best of NH” they wrote, “The
Granite State may have more famous comedians than you can shake a stick at (Seth Meyers, Sarah Silverman and Adam Sandler to name a few) but no one really “gets” New England humor like Juston McKinney .” His Youtube/facebook channels have millions of views, which include NH favorites such as “Clark’s Trading Post”, “Live Free or Die” and “Live Freeze then Die!”.

Born in 1962, guitarist Chris Thomas King became the last major folk blues discovery of the 20th Century when he was discovered in Louisiana in 1979 by a folklorist from the Smithsonian Institute in Washington D. C. He was introduced to the world the following year by venerable folk label Arhoolie Records as an authentic folk blues successor to Huddie Ledbetter, Muddy Waters, Mississippi John Hurt and Manse Lipscomb.

As the darling of blues purists and aficionados, and the last great hope of the waning folk blues revival, which began during the 1960s folk movement, Chris Thomas King shocked the music world in the early ‘90s when he abandoned all pretenses of primitivism and embraced hip hop modernity and digital aesthetics, turning the blues world upside down.

King was chosen by the Coen brothers to play the role of itinerant bluesman Tommy Johnson along side George Clooney in the movie “O Brother, Where Art Thou? (2000).” Larger than life on the silver screen, Chris Thomas King, acoustic guitar in hand, captivated audiences the world over, silencing his critics. His authenticity as a folk blues artist, by any measure, proved to be undeniable. A star of stage and screen was born. New fans the world over packed sold out theaters and art centers to immerse themselves in his illuminating melodious glow. King sold millions of records and won numerous awards, superseding the success of his folk blues predecessors.

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